Here's one for you: a great multi-pattern mic that absolutely destroys the price/performance barrier - and throws in a shock mount, cable, dust cover, The Australian designed and manufactured HF1 1 edge terminated,gold-sputtered, dual 5 um diaphragm capsule.
• 3-position variable polar pattern: Omni, Cardioid &Figure 8; all controlled on the mic.
Here's one for you: a great multi-pattern mic that absolutely destroys the price/performance barrier - and throws in a shock mount, cable, dust cover, The Australian designed and manufactured HF1 1 edge terminated,gold-sputtered, dual 5 um diaphragm capsule.
• 3-position variable polar pattern: Omni, Cardioid &Figure 8; all controlled on the mic.
• 3-position variable high-pass filter: Flat,80 Hz or 40 Hz.
• 3-position variable pad:0 dB,-5 dB or -10 dB.
• Ultra-low noise, transformerless SMT circuitry.
• Wide dynamic range.
• High strength heat-treated steel mesh head.
• Durable satin nickel finish.
• Internal capsule shock mounting.
• Supplied complete with soft pouch and clip.
Here's one for you: a great multi-pattern mic that absolutely destroys the price/performance barrier - and throws in a shock mount, cable, dust cover, The Australian designed and manufactured HF1 1 edge terminated,gold-sputtered, dual 5 um diaphragm capsule.
• 3-position variable polar pattern: Omni, Cardioid &Figure 8; all controlled on the mic.
• 3-position variable high-pass filter: Flat,80 Hz or 40 Hz.
• 3-position variable pad:0 dB,-5 dB or -10 dB.
• Ultra-low noise, transformerless SMT circuitry.
• Wide dynamic range.
• High strength heat-treated steel mesh head.
• Durable satin nickel finish.
• Internal capsule shock mounting.
• Supplied complete with soft pouch and clip. Rode
Here's one for you: a great multi-pattern mic that absolutely destroys the price/performance barrier - and throws in a shock mount, cable, dust cover, The Australian designed and manufactured HF1 1 edge terminated,gold-sputtered, dual 5 um diaphragm capsule.
• 3-position variable polar pattern: Omni, Cardioid &Figure 8; all controlled on the mic.
